The 18 Best Hair Metal Guitar Solos
Hair metal, the 1980s glam metal scene, produced some of rock's flashiest lead guitar, from Nuno Bettencourt's funk-shred on Extreme's "Get the Funk Out" (1990) to Vito Bratta's melodic lines on White Lion's "Wait" (1987). This list collects the era's best solos, from Ratt, Dokken and Whitesnake to Winger and Mr. Big, and every video starts right at the solo.
- 1Extreme · solo by Nuno Bettencourt · 1990
- 2White Lion · solo by Vito Bratta · 1987
- 3Ratt · solo by Warren DeMartini · 1984
- 4Extreme · solo by Nuno Bettencourt · 1989
- 5Whitesnake · solo by John Sykes · 1987
- 6Winger · solo by Reb Beach · 1988
- 7Dokken · solo by George Lynch · 1985
- 8Dokken · solo by George Lynch · 1984
- 9Whitesnake · solo by John Sykes · 1987
- 10Mr. Big · solo by Paul Gilbert · 1991
- 11Def Leppard · solo by Phil Collen & Steve Clark · 1983
- 12Bon Jovi · solo by Richie Sambora · 1988
- 13Poison · solo by C.C. DeVille · 1988
- 14Mötley Crüe · solo by Mick Mars · 1989
- 15Europe · solo by John Norum · 1986
- 16Autograph · solo by Steve Lynch · 1984
- 17FireHouse · solo by Bill Leverty · 1992
- 18Warrant · solo by Joey Allen · 1990
Quick answers
What is the best hair metal guitar solo?
On this list it is Extreme's "Get the Funk Out" (1990), played by Nuno Bettencourt. It is also the highest-ranked song on this list in the GreatestSolos Consensus rankings, at number 91.
Who played the guitar solo on Whitesnake's "Still of the Night"?
John Sykes, on Whitesnake's 1987 self-titled album. He also played the solo on "Crying in the Rain" from the same record.
Which hair metal solos use tapping?
Reb Beach on Winger's "Seventeen" (1988), Steve Lynch on Autograph's "Turn Up the Radio" (1984) and Paul Gilbert on Mr. Big's "Daddy, Brother, Lover, Little Boy" (1991) all feature two-handed tapping.